The Next Big Thing

Last week Weston Ochse tagged me in the latest installment of The Next Big Thing, a chance for authors to promote their next big release.  Weston sent me these questions and I, in turn, will send them along to the next author of The Next Big Thing, who I will announce very soon.

Enjoy! 

1)    What is the working title of your next book?

 

CANNIBAL CRUISE

 

2)    Where did the idea come from for the book?

 

I was out to dinner with my editor at Kensington and we started talking about the cruise I’d just taken.  I told him how gluttonous people could be on cruises, and the next thing you know we were talking about my next novel…a zombie story set on a cruise ship.

 

3)    What genre does your book fall under?

 

Horror, definitely.

 

4)    What actors would you choose to play the part of your characters in a movie rendition?

 

The two main leads are women, one a badass U.S. Secret Service agent and the other a female version of James Bond working for one of the Mexican cartels.  For the agent I’m imagining Dianna Agron or Amy Smart.  For the cartel assassin Naya Rivera.

 

5)    What is the one-sentence synopsis of your book?

 

A Mexican drug cartel releases a flesh eating virus into a cruise ship’s food supply, turning the passengers into zombies.

 

6)    Will your book be self-published or represented by an agency?

 

It was written on spec for Kensington.  My agent, Jim Donovan, is my representation.

 

7)    How long did it take you to write the first draft of the manuscript?

 

About seven months.

 

8) What other books would you compare this story to within your genre?

 

            My own Dead World series books or possibly Deck Z.

8)    Who or what inspired you to write this book?

 

A recent cruise I took with my family.

 

9)    What else about the book might pique the reader’s interest?

 

This is my first book to feature a sex scene!

It Could Have Been a Masterpiece: The Dead by the Ford Brothers

I wanted to love this movie.  I remember watching the trailer and practically salivating over the gorgeous West African scenery, the magnificent makeup and special effects and the potential for substantive commentary on modern Africa and its many woes.  Unfortunately, a weak script put this film in the awkward position of exploiting the very issues on which it is trying to comment.  (You can see the official trailer here.)

Written and directed by brothers Howard J. Ford and Jon Ford, The Dead was filmed on location in Burkina Faso and Ghana, two regions that have, over the last few decades, seen plague and famine and countless acts of racial atrocity under the guise of civil war.  The setup feels perfect for a zombie film.  Plague makes for a logical cause for the outbreak.  Famine and starvation are mirrored in the population eating itself.  And death, as the great leveler, obfuscates the divisions of tribal and racial differences.  The Dead tries to address all of these points, but sabotages itself with a lackluster storyline.

Lt. Brian Murphy (Rob Freeman) has just survived a plane crash and sets out across the sunbaked, unforgiving landscape of the Ivory Coast in the hopes of reaching safety and reuniting with his family back home.  At the same time, Sgt. Daniel Dembele (Prince David Osei) has broken away from his regiment to find his son.  These two very different men are forced to team up and help one another on their quests.

And therein lies the problem, I think.  In order to properly carry through on its promise of addressing West Africa’s many problems, the story needed more than a few token glimpses into village culture.  There were a few humanizing moments, especially between Sgt. Dembele and his grandmother, and between Murphy and the mother hoisting her newborn on him, but not even those scenes dug deep enough.  If a zombie is going to be effective as a metaphor it has to have established corollaries in the story.  Shawn of the Dead did this beautifully through a mirrored plot.  The first half of the film established the sense of aimless frustration and disenfranchisement of Britain’s youth, and then the second half of the film mirrored the events of the first half, but with zombies.  The point that we are all basically zombies already lands with perfect clarity.  The Dead could have been such a powerful statement on man’s cruelty to his fellow man, or a brilliant indictment of colonialism, or a call to arms against a continent starving to death, but it just didn’t reach that level of sophistication.

What we get instead is a rather pedestrian buddy/road trip story.  Perhaps that would have been enough of a frame to bring out the issues the film seems to want to tackle, but the script wasn’t even up to telling much of buddy movie.  Murphy and Dembele hardly speak at all during their time together, and when they do, the setups are obvious and clearly forced.

But the film, despite its weak storytelling, does have its positives.  The scenery, filmed in grainy 35 mm, seems to be on fire through most of the movie.  It’s stunningly beautiful, and goes further toward establishing Murphy’s exhaustion than Freeman’s acting.

Also, the zombies are truly frightening.  The faintly glowing eyes and legion of broken and mangled bodies make for some excellent scenes, and there are enough exploding heads and severed limbs and zombie feasting scenes to make most zombie fans feel right at home.

My score: 6 out of 10.

Bug Out or Hunker Down?

Bug Out or Hunker Down?

This is an experiment. Part fiction, part speculative essay, this piece started with one simple question: If the zombie apocalypse came today, how would I handle it? Would I stay put or would I make a break for it? And what of my family? I’m a husband, and a father, and a cop who took an oath to protect the community who has paid me so well over the last two decades. What do I do with all that obligation, all that responsibility? What would I really do, given conditions exactly as they are now? Would I bug out, or hunker down?

My goal is to answer this scenario as truthfully as I can, allowing myself only those options I really possess, and given only the resources currently at my disposal. No wishful thinking, no cheating. I can’t tell you that I would turn my Nissan Altima into an armored zombie killdozer because, well, I don’t have anything to armor plate my Nissan with, and, truthfully, wouldn’t know how to go about installing that armor even if I did. As I said, no cheating. This is basically a reality check. What could I do – what would I do – if Z-Day came today? Let’s find out.

But first, a few ground rules.

What Kind of Outbreak Are We Dealing With?

Everybody’s idea of what the zombie apocalypse will look like is different. For this scenario, here’s what’s happening:

1. The outbreak is viral in nature, and the virus is transmitted by a bite or some contact with the bodily fluids of an infected person.

2. Only the living and the very recently dead are affected by this virus. The buried dead play no part in this scenario.

3. The virus has a 100% mortality rate, meaning all persons infected with the virus die from it, and in turn become zombies.

4. The virus begins in some part of the U.S. other than my home city of San Antonio. However, due to the fluid nature of our society, the outbreak spreads rapidly. Cities with major airports can expect to see incidents of infection within 36 hours. Cities that serve as major air travel hubs and international ports of call will be in complete confusion for a period of perhaps four days, after which the outbreak will spread to the rest of the country, and then the rest of the world, at an exponential rate.

5. Martial law will be instituted within the first week of the outbreak, but will break down almost completely within the first three weeks of the outbreak.

6. Within a month of the first reported zombie incident, it will be every man for himself.

Given those conditions just listed, I think this is how the outbreak would go for me and my family.

The First Day of the Outbreak

It started on a Monday, just after lunch. I’d taken the week off work because I had some writing deadlines to meet before I left for the World Horror Convention in Salt Lake City that coming weekend.

My wife was home too. Ordinarily, she wouldn’t be. She was a college professor at a local university, and though she was feeling a bit under the weather that day and had to cancel her classes, she was diligently grading papers on our home computer.

Our two kids, nine and six year old girls, were at school a few miles away, near the entrance to our subdivision.

I usually wrote my rough drafts out long hand, which meant I was bent over my desk, scribbling on a yellow legal pad. My iPad was next to me, though, and I used that to check my email periodically throughout the day. The first indication I had that something was wrong was a rapid fire series of notification chimes on my iPad. Curious, I opened it, and saw Facebook updates from several of the groups I belong to. Some included links to news stories out of Boston and Philadelphia.

The stories were confusing and contradictory. They mentioned rioting, and people tearing each other apart. The local police departments were scrambling to deal with the situation, but so far, they weren’t having much luck.

Homemade videos started popping up on Facebook, including footage from iPhones and video cameras. I watched a few of those, my mouth hanging open, and then I went to my wife’s study, where I found her watching videos from a mutual friend of ours in Boston. A man covered in blood, part of his face missing, was pawing drunkenly at her front door. He spotted her filming him from the upstairs window and began groping the air, moaning frantically. I could hear our friend breathing in the background, panic-stricken. The choppy, bouncing video and off-camera panting reminded me of something out of The Blair Witch Project, but the growing dread in my gut was very real.

“What do you think is happening?” my wife asked. “Is this real?”

But we both knew the answer to that. It was very real.

Still, we’d never talked about what came next. I wrote this stuff, but it’d never been more than fun for me. My wife hated reading about zombies. What that amounted to was that we didn’t have a plan for zombies. Natural disasters, which in San Antonio meant flash floods or possibly forest fires, sure, those we had covered. But not zombies.

“What about the kids?” my wife said.

It was the only point that really mattered, and it stopped me. I was a cop. I was in decent shape…except for my high blood pressure, which I controlled with medication. I knew tactics. I knew how to handle guns, how to fight if I had to. But doing the zombie apocalypse with kids. Well, that was a different matter.

“It’s just now 2 o’clock,” I said. “They get out at 2:45. Let’s you and I figure out a plan right now. We’ll go get them as soon as school lets out, bring them back here, and we’ll make ready on whatever you and I decide to do.”

That sounded reasonable to me. The part of my brain that had been trained to deal with critical situations liked that idea.

But my wife was looking at me like I’d just grown an extra head.

“Make ready?” she said. “Are you serious? Joe, we’re dealing with zombies here. Zombies! What in the hell are we going to do?”

That Night

We hadn’t said a word to the kids, and we’d kept them away from the TV. We didn’t want to scare them, but they wouldn’t be going to school in the morning. Things were looking bad on the news, with outbreaks reported all over North America and already a few in Japan and China and Europe. So far, the individual outbreaks had been contained, but if my own stories had shown anything, it’s that a zombie scenario is always a war of attrition, and no matter how dedicated the military and the local responders may be, collapse was inevitable. It wouldn’t be long now, I realized, before the first cases hit San Antonio, and I would have to meet this inevitability head on.

“Okay,” my wife said as she stepped down off the stairs, “the kids are in bed. Let’s talk about what we’re going to do.”

“I’m guessing my parents’ place, right?”

She nodded.

My parents lived on 53 acres out in the Texas Hill Country, about forty miles northeast of San Antonio. Their property was remote enough that the only way to get there is to want to get there, if you know what I mean, but it was close enough to civilization that getting supplies and possible medical aide wasn’t impossible. Also, they had their own well, lots and lots of deer, a few chickens, and even a creek running through the lower 20 acres. My Mom was also a pretty fair gardener, so we’d have a decent amount of food.

“Tomorrow morning we’re gonna head out there. I want you and the kids to stay there.”

“And my parents?”

“Your parents, my brother and his wife, your sister, and your brother, his wife and their kids…all of them can go out to my parents’ house. There’s room. Plus, for the kids, it’ll feel like a big adventure.”

“Your parents don’t mind?”

“You know them,” I told her. “Family is first.”

My wife nodded at that. She knew it was true. My parents are saints.

“You have the lists for everybody, right?”

“Yeah, I’m going to email them right now.”

I had given her several long lists to email to the various members of our two families. The idea was for everybody to buy the gear they would need and bring it with them out to my parents’ place. That way, we’d have far more than we needed.

At least at first.

“Okay,” I said. “You email the lists. I’m going to pack up the cars.”

Our Preperations

Earlier that day, while my wife was picking the kids up from school, I went through our family disaster kits. About ten years ago I worked as a disaster mitigation specialist for the SAPD, and I learned back then the importance of having a good disaster preparedness kit. I’ve made kits for the family, smaller ones for each member of the family, and one each for my car and my wife’s. The family kit is of the homemade, 72 hour emergency shelter-in-place variety. It includes:

1. Flashlights (one for each member of the family and two large extra ones)

2. Extra batteries (for the flashlights, radio, and camera)

3. Canned food and MREs (the MREs take up a lot of space, but the idea of having a “kit” from which to make your own meal has a “Wow, this is neat!” factor that keeps the kids busy, which is critical for good morale)

4. Three 5 gallon water jugs

5. Water purifying tablets

6. A hand-crank powered emergency radio (ours is a Kaito KA500 Voyager 5-Way Powered, but there are several other reliable brands just as good)

7. Manual can opener

8. Paper plates, plastic serving ware, cooking supplies, and a small, one-burner Coleman camp stove

9. A large first aid kit and a quick guide to first aid procedures

10. A pocket folder containing copies of our birth certificates, home owner’s insurance and policy number, car insurance and titles, social security cards, passports, IDs, a lengthy phone number roster of family, friends and other important numbers and addresses, photographs of the family, a list of medications and my older daughter’s allergies

11. Rain gear for each member of the family

12. Heavy work gloves

13. Three disposable cameras and one waterproof digital camera

14. Unscented liquid bleach, eye dropper, and measuring spoons

15. Hand sanitizer and soap

16. Two large plastic sheets, duct tape, and a utility knife

17. A package of dust masks

18. A crowbar

19. Hammer and nails

20. Adjustable wrench

21. Bungee cords of several lengths

22. Two safety ropes, one 25 feet in length, the other 50 feet

23. Four heavy wool blankets

24. Four sleeping bags

25. A 5 gallon bucket to use as a toilet, plus a box of heavy duty black trash bags to line the waste bucket

26. A large box of matches

Then there are four backpacks, one for each member of the family. The individual backpacks contain:

1. Two flashlights (one small and one large)

2. Batteries for the flashlights, camera and radio

3. A small AM/FM radio

4. A whistle

5. Dust masks

6. A Swiss Army knife

7. Roll of toilet paper

8. Envelopes containing cash

9. A local map and a state map

10. Three MREs and three 1 gallon water bottles

11. A Sharpie marker, notepads, pens and duct tape

12. A pocket folder containing all important documents, phone numbers, maps with escape routes and meet-up locations and family photos (my oldest daughter has a dog tag on her backpack with her allergy information on it)

13. Extra eyeglasses for my oldest daughter and my wife

14. Toothbrush and toothpaste

15. Extra keys to the house, and to both grandparents’ houses

16. A small waterproof box of matches

17. A small box of candles

18. Extra battery-powered chargers for our cell phones

19. A heavy wool blanket

20. A bedroll

21. A coil of safety rope, 25 feet long

22. A signaling mirror

My wife drives a Toyota 4Runner with 130,000 miles on it. It’s in great shape, though, and still runs like a top. My Nissan Altima has 101,000 miles on it, but isn’t in as great a shape. Still, we have a store-bought emergency kit for each car. Ours are from Bridgestone and include:

1. A flashlight

2. Hood-mounted spotlight

3. Safety triangles

4. A heavy wool blanket

5. Jumper cables

6. A small air compressor and pump

7. Duct tape

8. Heavy duty safety gloves

9. Latex gloves

10. Small Ziploc baggies

11. Black electrical tape

12. Batteries

13. A small first aide kit

14. A poncho

15. A tire gauge

16. Two screwdrivers, one of each kind

17. Heavy duty scissors

18. Zip ties

To this kit, I’ve added:

1. Fix-a-flat in a can

2. A 5 gallon bucket

3. Two 5 gallon water jugs

4. A signaling mirror

5. A box of heavy duty trash bags

6. Another copy of our family’s important documents and photos

7. A disposable camera

Earlier that afternoon I went through these kits and found a number of problems, such as:

1. The family kit and the individual kits were supposed to contain envelopes with a little cash in each. At some point during the last few years we’d used a good deal of that cash. I had to go to the bank to draw out our savings, which included the $8,400 dollars in our savings and the $3,200 in our checking account. I took out all but $50 of this in cash and refilled our emergency kit envelopes.

2. The feminine products in the family kit and my wife’s personal kit were several years old. I had to buy new ones. Luckily, I knew which ones to buy. Incidentally, I used our credit card for this and all other purchases.

3. I gassed up my Nissan, my wife’s Toyota, and the GMC Yukon we are currently borrowing from my parents. This behemoth has 220,000 miles on it, and has some problems, but still runs okay.

4. The pictures in our family’s important documents binders were not current. I had to get up-to-date photos of our kids and put these into each kit. (These are invaluable in case members of the family get separated. Imagine a six year old, for example, trying to provide a physical description of a lost family member.)

5. The phone chargers I had in the kits were for the Android phones we used to own. We have iPhones now. I had to buy all new chargers, plus one for my iPad.

6. The water jugs had to be cleaned and filled. I did this, and bought fourteen more 5 gallon jugs from the local Bass Pro Shops. I filled these as well.

7. I went to the local Army Surplus store and bought as many of the MREs as I could find

8. I didn’t trust the batteries in any of the kits, so I bought new ones.

9. The heavy work gloves I had for my kids were too small, so I bought new ones.

10. I hadn’t packed clothes in the original kit because the kids grow out of these too fast and they can mildew if left in the kits too long. I packed extra clothes and warm gear and sturdy shoes for each of us.

11. I take blood pressure medication. I had about twenty pills left in my current prescription, so I went to the pharmacist and asked for my next refill, which comes in 90 day packs. They told me the insurance wouldn’t authorize a refill because I wasn’t due to need it yet, so I had to purchase the next 90 days at the non-insurance price of $320.

12. I bought as much ammunition as I could find for my two Glock .40 caliber pistols, my 12 gauge shotgun, and my AR-15. There was surprisingly little .223 ammo to be found, though. I found, and bought, all four of the boxes I found for sale.

13. I bought extra over-the-counter medications for the whole family.

14. I bought more canned food, juice boxes, and cereal bars.

15. We have two cats, so I also bought four bags of pet food.

While my wife was emailing our family members and getting everybody’s plan straight, I loaded up her 4Runner and my parents’ Yukon. The Yukon had a lot of miles on it, but it was huge, and could carry everything we thought we might need. Plus, it still worked okay. In fact, we’d had fewer problems with the Yukon than with my Nissan, so that was a good sign.

We watched the news some more, the outbreak spreading faster than I had expected, and then my wife asked the question both of us had been too scared to bring up.

“What are you going to do?”

She meant about my job. Technically, I was on scheduled leave. The Department had emergency mobilization procedures for bringing all its officers back on duty, but so far, that hadn’t been done. I figured it would only be a matter of time.

“I don’t know,” I said.

“Well you better figure it out!” she shot back. I blinked at her in surprise. “You have a family, Joe. You have a wife and kids. Your place is here with us.”

She was right, of course. But even still, I did take an oath, and I wouldn’t be the man I know myself to be if I didn’t make good on that oath.

We fought about that the rest of the night.

The Next Morning

We drove out to my parents’ place and unpacked. The mood was light. As we’d hoped, our kids were treating it like a big adventure, a day away from school to spend with Nana and Grandpa. By tacit agreement none of us spoke of the crisis in front of the children. The longer they could live in ignorance, we figured, the better.

One by one the rest of the family showed up, and soon we had all fallen into a casual bustle reminiscent of Thanksgiving Day. The mood friendly and everybody was cooperative; it was nice.

But then my cell phone started ringing. Because I hold the rank of an administrator, I get regular emails and text messages any time a news-worthy event occurs. I had received a few that morning, but all were of the common variety – a shooting here and there, an overturned 18 wheeler, a gas main ruptured by construction workers.

And then the airport reported its first case. Despite heightened security throughout the airport, a woman had collapsed near the baggage claim carousel and had gone unnoticed for almost thirty minutes. Then she stood up, waded into a crowd of people near the baggage carousel, and bit and clawed a total of sixteen people before she was subdued. Airport police were eventually forced to shoot her in the head, but not before a general panic ensued. According to the reports I was getting on my phone, the airport still wasn’t secure.

Then I checked my messages.

“What is it?” my wife asked. “Are they asking you to come in?”

I nodded.

“Don’t go,” she said flatly.

“Tina, we talked about this.”

“Yeah, we did. And I told you not to go.”

“I have to.”

“No, you don’t. What you have to do is stay here with us. With your family, Joe.”

It was quite a dilemma, my sworn oath or my family. I couldn’t believe how torn I was. And the funny thing about it is that I’ve made that dilemma the thematic focus of much of my zombie fiction, yet when it came time to decide for myself, for real, I found that it was so much harder than I’d ever portrayed it in my books.

Tina and I went off to the barn where we could talk without the kids hearing. Good thing, too, because we both started yelling. We both yelled a lot.

Actually, I think the yelling made it easier for me to make up my mind to go into work, because when I left I was angry with her for not understanding. I don’t know exactly what I wanted her to say, or do, or not do…I just know that yelling at me was like driving a wedge between us. I got out there, and I couldn’t get gone fast enough.

The Next Few Days

I run the 911 Call Center for the City of San Antonio. I tell people this, and sometimes it confuses them. “So, you’re like a dispatcher?”

“No,” I tell them. “I run the place. That means I’m in charge of all 170 civilian and sworn dispatchers, call takers and radio technicians – all of them report to me. I decide how those resources are deployed, and when the system gets overloaded, I’m the one in charge of making the tough decisions.

And when I came into work I found things pretty much as bad as they could get. We were unable to get in touch with about sixty percent of our personnel. Most had probably already left town or were simply afraid to come into work because they would be away from their families. We were down to a skeleton crew, and most of those were already 18 hours into shifts that should have only lasted 8 hours.

Then the reports started coming in.

The incident at the airport had gotten completely out of hand. Hundreds if not thousands were thought to be infected.

San Antonio has almost a hundred hospitals of one size or another, and already a few of them were claiming cases of zombie infection. Soon one hospital after another closed its doors, refusing any new patients.

Our officers out in the field were reporting cases of zombie infection, too. In the first four hours I was at the center I heard eighteen officer-involved shootings come over the radio.

But for all that, that first night was not so bad. It wasn’t anything like I portrayed in my book DEAD CITY. Cell phones kept working. The radios kept working. Traffic flowed heavy, but in an orderly fashion. Slowly, but steadily, the city started to empty as people headed for the rural areas outside of town.

And, perhaps most importantly, order was maintained. Our officers made their calls, handled the long hours and the uncertainty and their own fear in the face of mounting complications. The Fire Department too did their part. I was up until three that morning, monitoring incoming calls and feeding status updates to the Command Staff, and when I finally slipped off to my office to sleep on my couch, I thought we pretty much had things in hand.

But I was wrong.

One of the civilian supervisors woke me just before daylight. Things, she said, had gotten much worse.

I got a bottle of water from the mini fridge beneath my desk and listened as she ran it down for me:

1. San Antonio is a military town, with several large military bases, and we were being told that they were taking over. San Antonio, as of 0630 hours, was under martial law;

2. During the night, at least four officers had been killed by zombies. 57 more had been dispatched to incidents but were now unaccounted for;

3. A roll call of all sworn personnel in the Department had been taken so that accurate numbers could be given to the military authorities. Our total strength was 2,290 officers of all ranks, but our roll call was only able to account for 643 of those officers. The others were either dead or AWOL;

4. Stage III of the Department’s Emergency Action Protocol had been declared, which basically meant that the situation had exceeded the ability of the combined resources of the San Antonio Police Department and the Bexar County Sheriff’s Office to respond to the situation;

5. I had been a police officer for nearly twenty years at that point, and I had never heard of us declaring a Stage III situation. We were entering into unknown territory.

But declaring a Stage III situation gave me the authority to essentially lock the doors to the Communications Center. At this point, no one was getting…or out. The personnel still inside the center were stuck here and were basically chained to their jobs, like it or not. And suddenly the gun on my hip took on an ominous new implication. I could see my dispatchers looking at it out of the corner of their eye, wondering if I would really use it on them or not. I thought of Tina out at my parent’s place, and of my own two little girls, who I missed desperately, and I prayed that none of those dispatchers would call my bluff and dare me to shoot them for abandoning their post.

Thankfully, none did.

Six Days Later

A week passed, during which time those of us in the 911 Center saw the City, and in fact the rest of the world, fall apart.

I snuck away on a regular basis to call Tina. She told me that things were quiet at my parent’s place. All the power was still on, they had lots and lots of food and fresh water, and the kids were bored but doing okay.

Morale was still high, she said.

But for the rest of the world, the news was not good at all. Most of the news channels had gone to loops, playing the same news over and over, trying to cover up the fact that they had no new news to report. In a way, it reminded me of the morning of 9-11, with the TV newscasters grasping at every new bit of rumor or official statement and deconstructing it until nothing made sense.

And for the officers on the street, the zombie apocalypse had turned into a rolling gunfight that raged from one street to the next. Martial law had never really taken on, and officers who thought that they’d be doing patrol alongside soldiers soon found themselves standing alone against hordes of the living dead, like rocks in the middle of a fast moving river, slowly being worn down and consumed.

San Antonio, like the rest of the world, was dying.

I made a choice.

I called all my dispatchers, all my call takers, into a huddle in the middle of the communications floor. As a student of Texas history, and especially of San Antonio history, I knew the story of Colonel William Travis, commander of the Alamo during the famous battle with Mexican General Santa Anna. Travis, facing certain defeat during the final hours of the battle, received a note from Santa Anna demanding surrender. Travis, of course, knew where his own mind lay on this issue. He would die rather than give up his command. And being the good commander that he was, he knew the value of having his men reaffirm their commitment to the cause. So he called the Alamo defenders together, drew his sword, and drew a line in the sand. He then asked the defenders to step across the line and join him in the final, and almost certainly fatal, hours of the battle. All but one, a man named Moses Rose, joined him. Travis then released Moses Rose and gave Santa Anna his formal answer in the form of canon fire. The rest, as they say, is history.

I was hoping for an equally strong show of support among my staff. Unfortunately, I didn’t get it. I drew my line in the sand, and then told the assembled crowd that anyone who crossed it was welcome to leave the building. They could go wherever fate might take them, and God bless them on their way.

At first, no one crossed. Then one did. Another followed. Then three more. Nine more. I stood there in disbelief as one by one they filed past me. In the end, I was left with four dispatchers and one call taker. The other 22 hung their heads and hurried out the back door, bound for God knows where. I never saw them again.

But once they were gone, I turned to my hangers on and said, “Thank you, all of you. Bless you.” I think I was crying. I’m not sure. I only know that one by one the remaining few huddled around me and put their hands on me and kept telling me, over and over, that they were behind me 100 percent.

I nodded, and together they went back to their stations.

28 Days Later

Even the faithful can eventually realize that all is lost.

Though the power remained on, and the cell phones still worked, and we did okay surviving on food from the break room and the vending machines, all radio traffic had ceased. If there were officers still alive out there, they weren’t paying attention to their radios. It had been four days since we’d heard anything from anyone, and the time had come to make a decision.

During the worst days of the Black Death, back in the Middle Ages, the English developed a law called the 28 Days of Confinement Law. The basic import was this: If a member of your family came down with symptoms of the plague, your entire family was quarantined in your home for 28 days, which of course is the length of one lunar cycle. At the end of the 28 days, your front door was opened. If any persons were still alive, and symptom free, they were allowed to rejoin society. I don’t know it for a fact, but I suspect this was in the mind of the makers of the popular film franchise which takes its name from the 28 Days of Confinement Law.

Anyway, we had reached the 28 days mark. There seemed no point in maintaining our post. There were no officers to dispatch, no news to relay to the Command Staff. Everyone was dead.

But still walking around.

I told my personnel that we had gone down with the ship. We had fought the good fight all the way to the end. There was no point in going on because there was no more point left to make. We had done our duty.

The only thing left to do was to survive.

“I release you,” I said. “By the authority vested in me by the City of San Antonio I declare your duty faithfully fulfilled. God bless you as you go forth. You are dismissed, and honorably so.”

Thankfully, no one made any stupid speeches. They simply nodded, and we filtered out into the white hot brilliance of a San Antonio afternoon in late March.

I went to my vehicle and started it up, thankful now that I had taken the time to fill it up, and that I had made periodic trips out here over the last month to start it and keep the battery charged.

I looked at my cell phone, fully charged, and wanted to cry. It had been days since I’d been able to reach Tina on the phone. The closest I’d come was a voice mail, telling me that they’d decided to go to Montana, but the message had been punctuated by a scream and cut short.

There had been nothing else.

Desperate, I called Tina’s number and outlined my plan. I was going to go by my parent’s place first. If they were there, wonderful; if not, I’d gather what information I could and track them down.

But I thought I knew where they might be, where they would go if they could. The Paradise Valley in Montana, the place where my Dad and brother and I had gone on the vacation of our lives. It was a secluded paradise, a bulwark against the undead.

I had a wonderful memory of that place, looking down on an abandoned apple orchard from the sun deck of some friend of my Dad’s. The bears would come down and eat the apples off the ground, most of which had fermented, and by the time dusk rolled around they were drunk on rotten fruit. More than once I had watched as the wasted animals staggered off into the dark of Yosemite’s forests.

And as I put my Nissan in gear and drove out, I had visions of watching those same bears with my daughters, laughing as they teetered off drunkenly into the darkness.

Please God, that’s my only wish, my only prayer. Let them, and me, live to see that day.

My Zombie Story “Bugging Out” is Now Available in Peter Mark May’s ALT-Zombie Anthology

HERSHAM HORROR BOOKS
PRESS RELEASE
TITLE: ALT-ZOMBIE
EDITED BY: PETER MARK MAY
ISBN: 978–1466200470
CLASSIFICATION: HORROR ANTHOLOGY
CONTACT: PETER MAY 01932 262400
OFFICAL WEBSITE: http://hershamhorrorbooks.webs.com/
21 brand new tales of horror fiction, from some of the most talented short story writers around featuring:
Stephen Bacon, Stuart Young, Gary McMahon, Dave Jeffery, Jay Eales
Mark West, Zach Black, Jan Edwards, Rachelle Bronson, Selina Lock
William Meikle, Katherine Tomlinson, Adrian Chamberlin, R. J. Gaulding,
Shaun Hamilton, Shaun Jeffrey, Stuart Hughes, David Williamson,
Richard Farren Barber, Allison Littlewood, Joe McKinney

Available on Amazon in kindle and print versions from June 2012
Includes zombie stories from a UK #1 bestseller, British Fantasy Award winners, a Bram Stoker Award winner and a writer from the original Pan Book of Horrors….
Amazon UK Link: £8.99 http://www.amazon.co.uk/Alt-Zombie-The-Alternative-Zombie-Anthology/dp/1466200472/ref=sr_1_1?ie=UTF8&qid=1338371439&sr=8-1

Amazon US Link: $13.79 http://www.amazon.com/Alt-Zombie-The-Alternative-Zombie-Anthology/dp/1466200472/ref=sr_1_1?ie=UTF8&qid=1338371524&sr=8-1

The Book Depository: £8.74 http://www.bookdepository.co.uk/Alt-Zombie-Peter-Mark-May/9781466200470

Barnes & Noble US: $9.99 http://www.barnesandnoble.com/w/alt-zombie-mark-west/1111203343?ean=9781466200470

JONATHAN MABERRY TO BE GUEST OF HONOR AT  BRAM STOKER AWARDS™ WEEKEND 2013

 

The Horror Writers Association (HWA) is proud to announce Jonathan Maberry as a Guest of Honor for the Bram Stoker Awards™ Weekend 2013, to be held in New Orleans from 13-16 June 2013.

Jonathan Maberry is a New York Times best-selling author, multiple Bram Stoker Award winner, and Marvel Comics writer. His novels include Assassin’s Code, Flesh & Bone, Ghost Road Blues, Rot & Ruin, Dust & Decay, Patient Zero, The Wolfman and many others. His Non-fiction books include Ultimate Jujutsu, The Cryptopedia, Zombie CSU, Wanted Undead Or Alive and others. He’s the editor/co-author of V-Wars, a vampire-themed anthology; and was a featured expert on The History Channel special Zombies: A Living History. Since 1978 he’s sold more than 1200 magazine feature articles, 3000 columns, two plays, greeting cards, song lyrics, and poetry. His comics include Captain America: Hail Hydra, Doomwar, Marvel Zombies Return and Marvel Universe vs. The Avengers. He teaches the Experimental Writing for Teens class, is the founder of the Writers Coffeehouse, and co-founder of The Liars Club. Jonathan lives in Bucks County, Pennsylvania with his wife, Sara and their dog, Rosie. You can find him on Twitter, LinkedIn and Facebook or at his author website:www.jonathanmaberry.com.

HWA President Rocky Wood said, “Jonathan is proof positive that a talented, hard-working writer can achieve both sales and critical break-through even in the difficult publishing environment writers have been facing over recent years. Since moving into the horror genre and winning the Bram Stoker Award for Superior Achievement in a First Novel for 2006, he has published at a rate that would challenge even Stephen King! He has built a strong following in the booming Young Adult market as well as the adult horror and thriller genres, has proven to be a very effective marketer of his own work and a strong supporter of the HWA, paying back to the genre. I expect those attending the Bram Stoker Awards Weekend will learn a lot from Jonathan about cross genre writing, planning a writer’s work day, and marketing; and that they will be infected by his all-round enthusiasm for our profession and life in general.”

Jonathan joins already announced Guests – Ramsey Campbell, John Joseph Adams and Jeff Strand. Further Guests will be announced shortly.

Apocalypse of the Dead Will Lead Off the Zombie Research Society’s 2012 Book Club

2012 is starting off with a bit of fantastic news. My novel, Apocalypse of the Dead, was just announced as the Zombie Research Society’s lead off selection for their 2012 book club list.

The ZRS, in case you’ve never heard of them, is the brainchild of Matt Mogk, whose book Everything You Ever Wanted to Know About Zombies is probably the finest piece of zombie non-fiction I’ve ever read. Matt brings his unique style to the ZRS’s posts every day, covering everything about zombies, ranging from the best weapon to defend against them, how long can they remain a viable threat, to a comprehensive list of possible outbreaks throughout history. Seriously, check these guys out. Leave some time, though, because their site is loaded with the kind of content serious zombie enthusiasts love to argue about.

And that’s why I’m thrilled to be a part of their book club. Matt tells me they’ve got a full schedule of events planned for me. First up is a detailed interview with me coming out on January 23, 2012. Matt, as I’ve said, really knows his stuff about zombies. We sat on a panel together in the Aliens to Zombies Convention in Los Angeles late last year, and we had a lively discussion then. Now that it’s going to be just the two of us, I know the discussion going to go deep.

Following the interview will be a live question and answer session on Twitter on February 15, 2012. Everybody’s welcome for this one, and I’m looking forward to some great conversations with the book club participants. This will be my first ever Twitter-based interview, so I’ll be honest, I have no idea what to expect. It ought to be fun, though!

So, if you read Apocalypse of the Dead, I hope you’ll join me for the ZRS’s book club. Information on the Zombie Research Society can be found here. If you like what they do, you can join them in their mission to educate the world. Here’s how to that. Also, you can get some general information on the book club and the important dates here.

My Favorite Reads of 2010

This was one of the best years for books in a long time. There were no huge standouts, like Cormac McCarthy’s 2006 novel The Road, or Dan Simmons’ 2008 novel The Terror, but even still, of the 108 books I read this year, a surprisingly large number were of outstanding quality…so much so that winnowing this list down to just ten required a lot of purely subjective hair-splitting.

My list is made up entirely of books released during 2010. That meant that some of the 108 books I read this year weren’t eligible, even if they would have otherwise earned a spot here. Jeffrey Eugenides’ serio-comic epic novel Middlesex and John M. Barry’s haunting history of the 1927 Mississippi flood, Rising Tide, are just two examples of books not included for that reason. But beyond date of release, I was fairly open-ended on format, length and genre. Novellas released as a single work, such as Norman Prentiss’ Invisible Fences and Brian James Freeman’s The Painted Darkness got equal consideration with huge epic-sized novels, multi-author anthologies, short story collections, histories and biographies. Some of the books on this list I read in PDF as advance reader’s copies, or listened to on CD, or enjoyed as just plain old dead tree editions, and in most cases I explain that in each entry.

So, here they are, in no certain order…my favorite reads for 2010. Enjoy the list!

Horns by Joe Hill

Both a very funny book and at the same time a well-crafted one, Horns is far better than Hill’s first novel, Heart-Shaped Box. Heart-Shaped Box was a good book, mind you, and his debut collection, Twentieth Century Ghosts, was a great book, but Horns is a cut above either of those. Part Kafka, part Kurt Cobain, part Gallagher, Joe Hill is rapidly becoming one of America’s best novelists, and Horns will show you why. I listened to this one on CD, which helped the humor a lot, I think.

The Caretaker of Lorne Field by Dave Zeltserman

Like Horns, an extremely funny book. Zeltserman has made a name for himself as a writer of intense psychologically-driven crime fiction, making this rural horror story a bit of a departure…but I’m so glad he made it. I hadn’t gone twenty pages into this book before I knew it was going to make this list. Good old fashioned hardcover for this one, and worth every penny.

Pariah by Bob Fingerman

Zombies are big business, so it takes a lot of talent to rise above the crowd. Between James Roy Daley’s Best New Zombie Tales #1 and 2, Peter Clines’ Ex-Heroes, John Ajvide Lindqvist’s Handling the Undead, Ben Tripp’s Rise Again, Greg Lamberson’s Desperate Souls, Patrick D’Orazio’s Comes the Dark, Craig DiLouie’s Tooth and Nail, Stephen Jones’ The Mammoth Book of Zombie Apocalypse, Chris Golden’s The New Dead and John Joseph Adams’ The Living Dead 2, 2010 brought out some of the best zombie stuff I’ve ever read. So the competition was extra tough. But my favorite zombie release of the year was Bob Fingerman’s novel Pariah. In addition to being a great zombie book, it was also a beautiful meditation on isolation and the stark, horrifying beauty of post-apocalyptic landscapes. Another good old fashioned dead tree read here, which helped a lot. I generally listen to audio books while driving to and from work, which makes it impossible to give a narrative your full and undivided attention. Inevitably, the idiot cutting you off is going to usurp some of your mental energy, regardless of how good the book is. Bob Fingerman’s description of his characters’ complex emotional states is so finely developed though it really merits the extra attention you have to give a printed book. Listening on CD would have frustrated me here.

Mr. Shivers by Robert Jackson Bennett

Mr. Shivers is one of three debut novels on this year’s list. I was on a panel with the author at ArmadilloCon in Austin earlier this year, and I was so impressed with his comments on researching that I stopped off at the Barnes & Noble on the way home and bought his book. His story of hobos looking for revenge during the Great Depression was a delicious mix of Steinbeck’s Grapes of Wrath and Stephen King’s first Gunslinger novel. I flew through the mass market paperback in a single afternoon, and I can’t wait for his next novel, The Company Man.

Invisible Fences by Norman Prentiss

Besides being a genuinely classy guy, Norman Prentiss can write horror stories of such subtlety that you will find yourself going over the work three and four times just to see how he managed to do so much with so few words. He’s made a name for himself as a short story writer whose work more closely resembles the fiction found in the New Yorker than in the bulk of horror’s blood-soaked anthologies, but with his debut novel, Invisible Fences, Prentiss has written a short, but moving story that, to be honest, transcends any sort of attempt to pigeonhole it in a genre. I read this one in a limited edition trade paperback, and getting your own copy may prove difficult. Just don’t come looking for mine. You’ll have to pry it from my cold, dead hands.

In the Mean Time by Paul Tremblay

This was a great year for single author short story collections. I loved Michael Louis Calvillo’s Blood and Gristle, Jeremy Shipp’s Fungus of the Heart, John Little’s Little Things, Laird Barron’s Occultation, Scott Edelman’s What Will Come After, Harry Shannon’s A Host of Shadows and Lisa Mannetti’s Deathwatch, but Tremblay’s In the Mean Time just left me breathless. Calvillo’s work had more energy than Tremblay’s. Shannon’s collection had far better action and variety. Edelman’s had zombies. Mannetti’s had beautifully handled historical fiction. Each of those collections did something better than Tremblay did in his book, but the overall feel of In the Mean Time sold me on this work. It reminded me of a Pink Floyd album, the way it just fit together. I read this one as an ebook and found his apocalyptic visions to be so gut-wrenching that at times I had to go hug my kids just to remind myself that things were going to be okay. A tough read, but ultimately, one you’ll be glad you made.

Matterhorn: A Novel of the Vietnam War by Karl Marlantes

This is one of three non-horror books to make this year’s list. Marlantes’ debut was thirty years in the making, but it was worth the wait. I listened to this book on CD, and was simply blown away. I have a feeling Matterhorn will go up on the shelf next to O’Brien’s The Things They Carried as one of the best war novels ever written. Just be prepared for a very gritty, true to life description of war and all its horrors.

The Replacement by Brenna Yovanoff

Like Bob Fingerman, I found out about Brenna Yovanoff through the table of contents of John Joseph Adams’ The Living Dead 2. Jonathan Maberry’s Rot and Ruin would have made this a good year for YA all by itself, but Yovanoff’s modern day tale of changelings told the age old teenage drama of fitting in with such originality and beauty that The Replacement transcended its YA field. Perhaps even more impressive is that this is a debut novel. There were some great debuts this year, such as Benjamin Kane Ethridge’s Black and Orange, Lisa Morton’s Castle of Los Angeles, Gregory Hall’s At the End of Church Street, and Lucy Snyder’s Spellbent, but Yovanoff’s book connected with me personally because I have two daughters about to enter that age where they will be trying to define their place in this world. Your mileage may differ, but this one is still highly recommended for anybody in the middle teens and older.

Murder City: Ciudad Juarez and the Global Economy’s New Killing Fields by Charles Bowdon

I’ve been reading an awful lot about the Texas-Mexico border recently as research for an upcoming novel, and Bowdon’s book is one of the best on the subject. He doesn’t go into a great deal of depth about the political reasons behind Mexico’s drug war, but focuses instead on the personal stories of those caught up in the violence and tragedy that defines life in today’s Northern Mexico. After reading this book, I suspect that you, like me, will be furious with the U.S. government and the American media for directing so much attention on the other side of the globe, while one of the most immediate and verifiable threats to U.S. security is at a full boil right next door.

Selected Stories by William Trevor

William Trevor’s stories have been growing discernibly darker in tone over the years, and this volume, which brings together the Irish author’s last four short story collections, goes a long ways toward demonstrating that trend. But Trevor is also capable of writing intensely funny stuff, and you can still find that trademark humor here. William Trevor may very well be the best writer in English working today. His stories, which are always so full of sharp insights into love and ambition and power of major events, such as weddings or the end of an affair, to change many lives, never disappoint. This list isn’t in any sort of order, but if it was, this book would own the top rung. Well worth investing in the hardcover.

And finally, because I’m such a fan of Spinal Tap, I’m turning this list up to eleven and giving you one that almost made it.

Room: A Novel by Emma Donoghue

Remember Plato’s Parable of the Cave? In the story, Socrates (pronounced So-Crates, according to Bill and Ted) relates the tale of a group of people who spend their entire lives chained to posts, facing a blank wall. There is a fire behind them that projects shadows on the wall. Because these people lack any other frame of reference, the shadows become their entire world, and their only idea of reality. If you’re familiar with the story, you must have wondered what would happen if those people suddenly got loose and joined the rest of us. Imagine the horror of that much reality crashing in on their minds at once. Well, Emma Donoghue did just that. She tells her story from the point of view of five year old Jack, who lives with his Ma in a single room, with the routine broken only by nighttime visits from a man named Old Nick. The prose is tricky, as it is meant to be that of a five year old, but nonetheless effective, and very frightening.

Good News About Dead Set: A Zombie Anthology

Earlier this year Michelle McCrary and I edited a charity zombie anthology for 23 House Publishing called Dead Set. It was my first ever stint as editor and I greatly enjoyed the process. And now, with the end of the year upon us and award season kicking up, all that hard work has started to get some positive critical attention. Dead Set, and several of the contributors to the anthology, have been nominated and/or recommeded for some major awards, something for which I am very excited.

First off is Dark Scribe Magazine’s Annual Black Quill Award. Dead Set has made the short list in the Best Dark Genre Fiction Collection category, which is a huge honor. Here’s the complete ballot:

And the Nominees Are…
DARK GENRE NOVEL OF THE YEAR:

Novel-length work of horror, suspense, or thriller from a mainstream publisher; awarded to the author

A Dark Matter by Peter Straub (Doubleday)
Kraken by China Miéville (Del Rey)
Sparrow Rock by Nate Kenyon (Leisure / Bad Moon Books)
The Caretaker of Lorne Field by David Zeltserman (Overlook Hardcover)
The Passage by Justin Cronin (Ballantine)
Under the Dome by Stephen King (Scribner)

BEST SMALL PRESS CHILL:

Novel or novella published by small press publisher; awarded to the author

A Book of Tongues by Gemma Files (ChiZine Publications)
Dreams in Black and White by John R. Little (Morning Star)
Invisible Fences by Norman Prentiss (Cemetery Dance)
The Castle of Los Angeles by Lisa Morton (Gray Friar Press)
The Wolf at the Door by Jameson Currier (Chelsea Street Editions)

BEST DARK GENRE FICTION COLLECTION:

Single author collection, any publisher; awarded to the author

Blood and Gristle by Michael Louis Calvillo (Bad Moon Books)
In the Mean Time by Paul Tremblay (ChiZine Publications)
Little Things by John R. Little (Bad Moon Books)
Occultation by Laird Barron (Night Shade Books)
Summer, Fireworks, and My Corpse by Otsuichi (VIZ Media LLC)

BEST DARK GENRE ANTHOLOGY:

Multi-author collection, any publisher; awarded to the editor

Dark Faith Edited by Maurice Broaddus and Jerry Gordon (Apex Publications
Dead Set: A Zombie Anthology Edited by Michelle McCrary and Joe McKinney (23 House)
Haunted Legends Edited by Ellen Datlow and Nick Mamatas (Tor)
Horror Library IV Edited by RJ Cavender and Boyd E. Harris (Cutting Block Press)
When The Night Comes Down Edited by Bill Breedlove (Dark Arts Books)

BEST DARK GENRE BOOK OF NON-FICTION:

Any dark genre non-fiction subject, any publisher; awarded to the author[s] or editor[s]

Horrors: Great Stories of Fear and Their Creators by Rocky Wood (McFarland)
I Am Providence: The Life and Times of HP Lovecraft by S.T. Joshi (Hippocampus Press)
Night of the Living Dead: Behind the Scenes of the Most Terrifying Zombie Movie Ever by Joe Kane (Citadel)
The Conspiracy Against the Human Race by Thomas Ligotti (Hippocampus Press)
Thrillers: 100 Must Reads Edited by David Morrell and Hank Wagner (Oceanview Publishing)

BEST DARK SCRIBBLE:

Single work, non-anthology short fiction appearing in a print or virtual magazine; awarded to the author

“Bully” by Jack Ketchum (Postscripts 22/23)
“Goblin Boy” by Rick Hautula (Cemetery Dance #63)
“Secretario” by Catherynne M. Valente (Weird Tales, Summer 2010)
“The Things” by Peter Watts (Clarkesworld, January 2010)
“We” by Bentley Little (Cemetery Dance #64)

BEST DARK GENRE BOOK TRAILER:

Book video promoting any work of fiction or non-fiction; awarded to the video producer or publisher

Neverland / Produced by Circle of Seven Productions (for the book by Douglas Clegg)

Radiant Shadows / Produced by Circle of Seven Productions (for the book by Melissa Marr)

Specters in Coal Dust / Produced by Michael Knost & Black Water Films (for the anthology edited by Michael Knost)

Under the Dome / Produced by Scribner Marketing (for the book by Stephen King)

Unhappy Endings / Produced by Delirium Books (for the book by Brian Keene)

The following is taken directly from the Dark Scribe Magazine website and tells you a little about how the short list is established and how the voting process works. I encourage everybody to stop by and vote, even if it’s for something other than Dead Set.

Nominations for the Black Quills are editorial-based, with both the editors and active contributing writers submitting nominations in each of the (7) categories. Once nominations are announced, the readers of DSM have an opportunity to cast their votes for their picks in each category. In a unique spin intended to celebrate both critical and popular success, two winners are announced in each category – Reader’s Choice and Editor’s Choice.

All dark genre works published between November 1st, 2009 and October 31st, 2010 are eligible. DSM does not solicit nominations, nor are there any fees associated with the Black Quills.

Please note that only one ballot per email/IP address will be accepted. Multiple ballots received from the same email/IP address will be discarded.

Reader voting closes at midnight EST on Friday, January 21st, 2011.

Winners will be announced on Tuesday, February 1st, 2011.

On behalf of myself, Michelle McCrary, Dead Set’s contributors, and everyone at 23 House Publishing, I’d just like to say that it is a huge honor to be recognized in this way by Dark Scribe Magazine.

My second piece of great news comes from the Horror Writers Association, where Dead Set has done quite well in the Bram Stoker Awards recommendations phase. The Stokers work quite differently from the Black Quill Awards. Dark Scribe’s staff and contributors nominate the shortlist for the Black Quill Awards, but in the HWA, the membership at large has an entire year to recommend various works. Each recommendation gets tallied together, and at the end of the year, the top recommended works in each category get forwarded to the Preliminary Ballot. After that, the Active Members of HWA vote on the Preliminary Ballot and the five or six works receiving the top votes go on to the Final Ballot. Right now, we are still in the recommendation phase, so Dead Set hasn’t earned the right to carry any sort of Stoker Award tags, but I thought it important to mention the attention that several of the work’s contributors have been getting.

Judy Comeau’s story “Seminar Z,” Lee Thomas’ “Inside Where It’s Warm,” and Nate Southard’s “In the Middle of Poplar Street” have all received several mentions, and I’m proud to have had the opportunity to publish their work. In addition, the book itself has received several recommendations in the anthology category, which is a reflection on the hard work of each of the contributors.

My best to everyone involved in this fantastic book. Here’s hoping 2011 brings you all great success and joy.

Dead, Buried, and Back!

Horror fans, I found a new site you have to check out. Dead, Buried, and Back is the home of John Farris, filmmaker, writer, reviewer and all around cool guy. This page has got some great content, with a special focus on zombies. Definitely worth a look.

Questions about Dead City?

Quite a few readers have written to me with questions about my novels Dead City and Apocalypse of the Dead, so I thought it would be helpful to write a reader’s guide to the whole Dead World series. You can find it in the headings listed across the top of this webpage under “A Reader’s Guide to Dead World.”

I’ve tried to avoid spoilers, while at the same time providing some useful information. Of course, I can’t anticipate every question, so if there’s something special you want to know, just ask it in the comments section on that page. I won’t worry about spoilers in my answers back to you.

Enjoy!

Joe McKinney’s DEAD CITY is one of those rare books that starts fast and never EVER lets up. From page one to the stunning climax this book is a rollercoaster ride of action, violence and zombie horror. McKinney understands the genre and relies on its strongest conventions while at the same time adding new twists that make this book a thoroughly enjoyable read. Highly recommended!
–Jonathan Maberry, Bram Stoker Award-winning author of Ghost Road Blues and Dead Man’s Song

I enjoyed Dead City. It was a quick, fun read. I also thought McKinney did a fine job of realistically portraying the police officers and keeping their world accessible to “civilians”. Not always an easy balance, but he pulled it off.
–Brian Keene, Bram Stoker Award-winning author of The Rising, City of the Dead, and Dead Sea

Dead City is a real thrill for the reader, jam-packed with fast driving, shooting, desperate stand-offs and lots of blood. McKinney, a San Antonio homicide detective by trade, writes with an authenticity that brings the events of “Dead City” to bloody, grasping life.
–Matt Staggs, Editor of Skullring.org

Tight writing…is what makes Dead City seem frighteningly possible. I like to have chills race up and down my spine, and I like to have to look over my shoulder to make sure I’m safe, and his writing had me feeling this way the entire time I was reading … and even after I’d finished the book!
–Phillip Tomasso III for In the Library Reviews

From the very first page of this urban thriller, Joe McKinney puts the cuffs on his readers and throws away the key. Gritty suspense, great characters, and very real cops. You’re gonna like this guy.
–Tom Monteleone, author of The Blood of the Lamb and The Complete Idiot’s Guide to Writing a Novel

Follow

Get every new post delivered to your Inbox.

Join 93 other followers

%d bloggers like this: