Questions about Dead City?

Quite a few readers have written to me with questions about my novels Dead City and Apocalypse of the Dead, so I thought it would be helpful to write a reader’s guide to the whole Dead World series. You can find it in the headings listed across the top of this webpage under “A Reader’s Guide to Dead World.”

I’ve tried to avoid spoilers, while at the same time providing some useful information. Of course, I can’t anticipate every question, so if there’s something special you want to know, just ask it in the comments section on that page. I won’t worry about spoilers in my answers back to you.

Enjoy!

Joe McKinney’s DEAD CITY is one of those rare books that starts fast and never EVER lets up. From page one to the stunning climax this book is a rollercoaster ride of action, violence and zombie horror. McKinney understands the genre and relies on its strongest conventions while at the same time adding new twists that make this book a thoroughly enjoyable read. Highly recommended!
–Jonathan Maberry, Bram Stoker Award-winning author of Ghost Road Blues and Dead Man’s Song

I enjoyed Dead City. It was a quick, fun read. I also thought McKinney did a fine job of realistically portraying the police officers and keeping their world accessible to “civilians”. Not always an easy balance, but he pulled it off.
–Brian Keene, Bram Stoker Award-winning author of The Rising, City of the Dead, and Dead Sea

Dead City is a real thrill for the reader, jam-packed with fast driving, shooting, desperate stand-offs and lots of blood. McKinney, a San Antonio homicide detective by trade, writes with an authenticity that brings the events of “Dead City” to bloody, grasping life.
–Matt Staggs, Editor of Skullring.org

Tight writing…is what makes Dead City seem frighteningly possible. I like to have chills race up and down my spine, and I like to have to look over my shoulder to make sure I’m safe, and his writing had me feeling this way the entire time I was reading … and even after I’d finished the book!
–Phillip Tomasso III for In the Library Reviews

From the very first page of this urban thriller, Joe McKinney puts the cuffs on his readers and throws away the key. Gritty suspense, great characters, and very real cops. You’re gonna like this guy.
–Tom Monteleone, author of The Blood of the Lamb and The Complete Idiot’s Guide to Writing a Novel

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Publishing News: Dating in Dead World

I just got word from John Joseph Adams, editor of The Living Dead, Wastelands, Federations, and the new speculative fiction magazine Lightspeed, that his new zombie anthology, The Living Dead 2 will be landing in stores this September.

Here’s the table of contents:

Introduction — John Joseph Adams
Alone, Together — Robert Kirkman
Danger Word — Steven Barnes & Tananarive Due
Zombieville — Paula Stiles
The Anteroom — Adam-Troy Castro
When the Zombies Win — Karina Sumner-Smith
Mouja — Matt London
Category Five — Marc Paoletti
Living with the Dead — Molly Brown
Twenty-Three Snapshots of San Francisco — Seth Lindberg
The Mexican Bus — Walter Greatshell
The Other Side — Jamie Lackey
Where the Heart Was — David J. Schow
Good People — David Wellington
Lost Canyon of the Dead — Brian Keene
Pirates vs. Zombies — Amelia Beamer
The Crocodiles — Steven Popkes
The Skull-Faced City — David Barr Kirtley
Obedience — Brenna Yovanoff
Steve and Fred — Max Brooks
The Rapeworm — Charlie Finlay
Everglades — Mira Grant
We Now Pause For Station Identification — Gary Braunbeck
Reluctance — Cherie Priest
Arlene Schabowski Of The Undead — Mark McLaughlin & Kyra M. Schon
Zombie Gigolo — S. G. Browne
Rural Dead — Bret Hammond
The Summer Place — Bob Fingerman
The Wrong Grave — Kelly Link
The Human Race — Scott Edelman
Who We Used to Be — David Moody
Therapeutic Intervention — Rory Harper
He Said, Laughing — Simon R. Green
Last Stand — Kelley Armstrong
The Thought War — Paul McAuley
Dating in Dead World — Joe McKinney
Flotsam & Jetsam — Carrie Ryan
Thin Them Out — Kim Paffenroth, Julia Sevin & RJ Sevin
Zombie Season — Catherine MacLeod
Tameshigiri — Steven Gould
Zero Tolerance — Jonathan Maberry
And the Next, and the Next — Genevieve Valentine
The Price of a Slice — John Skipp & Cody Goodfellow
Are You Trying to Tell Me This is Heaven? — Sarah Langan

This promises to be a huge anthology, and I’m thrilled to be a part of it. My story, “Dating in Dead World,” is a sequel to my Dead City series. The main character is Andrew Hudson, the baby Eddie Hudson spent a night of hell trying to rescue in Dead City.

It’s been almost twenty years since Hurricane Mardell swept through Houston, flooding the city and giving birth to a virus that turns the living into the walking dead. The world has been overrun by zombies and left in ruin. But there are still groups of people left alive, and they are carving out an existence in the wasteland.

Some of the survivors have moved into protective compounds, but Andrew Hudson wasn’t lucky enough to grow up in one of those. He was raised as a street urchin out in the ruins of San Antonio, where he makes a living as a special courier between the strongholds of the dead world’s warlords. During one of those runs he had the good fortune to meet the daughter of the area’s most powerful warlord, and he won her heart.

Now, they’re going on their first date. How hard could that be, right? Kids have been dating forever. Well, when taking your date out involves high speed pursuits through zombie-infested ruins and being used as pawns in an underhanded power grab scheme, nothing is as easy as it seems.

“Dating in Dead World” was written right about the same time that Kensington Publishing came asking me to do another zombie book. I had made a few readers mad with the ending to Dead City, and I wanted to address the criticism before I went on with the rest of the series.

The first person narrator of Dead City is a police officer named Eddie Hudson. The thing to remember about Eddie Hudson is that he is not a reliable reporter. Most people get that wrong about him. He’s deeply fractured by the events he recounts in the novel, and the optimism he expresses at the end of the story is…well, let’s just say he’s not telling you everything. He’s telling you about the world he wants to believe in, not the world as it really is. “Dating in the Dead World” came from that issue. And because “Dating in the Dead World” was written to refute Eddie Hudson’s optimism, the logical lead for the story was Eddie’s son, Andrew Hudson. So this story really becomes as much a conversation between father and son as it does a commentary on the Dead City series itself.

John Joseph Adams asked me where “Dating in Dead World” came from – not just the idea for the story, but the personal background of the story. I think the answer hinges on personal accountability. I don’t respect a person who can’t accept responsibility for his or her actions. That’s something I learned from my dad, and something I’ll always be thankful for.

He gave me some important advice on personal responsibility. Right before I left for my first date, he gave me the only bit of parental sex education I ever received. “Remember this,” he said. “You will be held personally accountable for everything that happens to that girl from the moment she leaves her front door to the moment she walks back in it. Conduct yourself accordingly.”

It wasn’t until after I’d written “Dating in the Dead World” that I realized I was channeling that advice. I guess it took.

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